Overall, the theme of the day could be distilled into one single sentence: I should listen to my wife. This was illustrated numerous times throughout the day.
1) ALWAYS EAT THE FREE BREAKFAST
Taking my parents' advice, we forsook our hotel's free continental breakfast and chose to dine at Lefty
O'Doul's pub on
Geary Street in Union Square. Although it's advertised as "the best deal on the Square!" and it was quite delicious, Ashlee was right -- now that we're unemployed, we need to mind the budget and the free breakfast is the way to go.
After breakfast, we had a nice leisurely day -- though we still managed to walk 6 miles. We hooked up with the SF City Guides again and we enjoyed a walking tour through China Town. We got to examine the different types of architecture used in the district and we explored some of the back alleys. We peeked into a traditional herbal medicine shop and gobbled down free samples at a fortune cookie factory. It was pretty neat.
2) MAKE SURE WE HAVE EVERYTHING BEFORE LEAVING THE HOTEL ROOM
When our walking tour ended, we had to get over to the Mission district to take a tour of it's world-renowned murals. Ashlee asked me to grab our itinerary with the directions from my backpack. Crap, I realized I forgot to bring it. No worries, said Ashlee, just grab the Let's Go! SF book because there are directions in there too. Double crap, I forgot that also.
Doh! As a result, we had to trudge back to our hotel room to retrieve the forgotten items.
3) LET HER CARRY THE BART TICKETS
Since the Mission district is a bit far from our area of town, we decided to use the subway, named Bay Area Rapid Transit or BART. Using the kiosk we purchased one way tickets that you need to have scanned before you can cross through the turnstiles. You actually have to get your ticket scanned twice -- once when you enter the subway station and then again when you leave. This allows BART to charge tiered prices for different distances. Anyways, when Ashlee was buying the tickets I noticed a large sign on the wall telling passengers to keep their tickets away from magnets.
Hmm, I thought, I wonder why they need to tell people that -- after all, it's not like people carry magnets in their pockets...
We got our tickets and used them to pass the turnstiles. Ashlee asked if I wanted her to hold my ticket. I can handle it, I replied, and I slipped the ticket into my front pocket. We boarded the subway and enjoyed the ride. We got off at the Mission stop. As we crossed the station to exit through the turnstiles, I saw another one of those signs warning passengers about having magnets near their tickets.
Blarg! It
occurred to me that
I was one of the buffoons with a magnet in my pocket -- I've been using a money clip with a magnet to hold all of my dollars. Unfortunately, I was carrying my money clip in the same pocket that I deposited my ticket into. As a result, the turnstile couldn't read my ticket and I had to shamefacedly explain the situation to the nearby BART attendant. She shook her head and let me pass to the other side, where Ashlee was waiting for me with stifled laughter behind her smile.
4) THE 7" PHILLY
CHEESESTEAK WILL SUFFICE
We made great timing in getting to the Mission district, and we had about an hour to kill before meeting for the tour -- just enough time for lunch. After exploring a bit, we decided on a place called "Phat Philly," which if you can't tell from the name, specializes in Philly
cheesesteaks. We perused the menu and made our choices. Ashlee went first: the 7" steak
hoagie with their signature cheddar beer sauce. I went for the "pizza steak," a
cheesesteak sandwich smothered in garlic marinara sauce and provolone cheese. The burly guy taking our order asked me if I wanted the 7" or 12". The 12", I immediately answered, feeling good until I noticed Ashlee shaking her head. I attempted to reconsider, but the server razzed me a bit for changing my mind so I stuck with the larger size. Ashlee was right, it was way too much sandwich. Although, even she pointed out that I was sort of peer pressured into going for the bigger portion...
The rest of the afternoon we spent exploring the famed murals of the Mission district. According to Let's Go!, the Mission is the city's "most radical pocket, marked by left-wing bookstores, active labor associations, and bohemian bars and cafes filled with hipsters and hippies." The Mission is also home to a thriving arts scene whose artists literally paint their messages on the walls. The results are these beautiful and extremely colorful murals that cover virtually every open space along the main drag of the district.
I realized that what makes these murals so awesome is that they are the complete opposite of museum art. In a museum, you can definitely see beautiful works of art. But in the attempt to preserve and protect these pieces for all to see, museums often erect certain barriers between the pieces and the admirers. These barriers are both tangible (i.e. thick glass or cordoned-off zones) and more abstract, such as high admission prices.
Murals, on the other hand, operate on the completely opposite principle. Instead of getting people to come to the art, the muralists of the Mission have literally brought the art to the people of their community. They paint their masterpieces on the sides of buildings, in playgrounds, along alleys, and even on large commercial vehicles. People can walk right up to these murals and admire them, touch them, and even lean against them. You can't do that in a museum.
Many of the murals in the Mission are concentrated on one particular street called Balmy Alley. As the name implies it is simply an alley that branches off the main street of town. What makes the alley special is that artists from all over the world have flocked hear and have decorated ever nook and cranny with beautifully painted scenes. It doesn't matter if it's a garage door, a sidewalk, a picket fence, or the side of a house -- everything is a canvas. The results are these breathtaking portraits that really reach out to the admirer. Each piece is so full of passion and color that you can't help but be moved. It was also a funny feeling -- here we were standing in this alley that would be quite seedy if it weren't for the amazing murals and the locals kept reminding us that instead of meandering through a museum, we were actually in a
functioning neighborhood. Numerous times we had to stand off to the side to let passing cars through and at least once we couldn't see a piece because the person who garage the piece was on had the door open.
As noted above, each mural we saw was full of passion. Our tour guide pointed out that many of the murals conveyed a politically-pointed message. These messages were universally left-of-center. As our guide also pointed out, "There's really no such thing as a conservative Republican mural."
I've realized that one of the things I've come to love about San Francisco is how welcoming and inclusive it is. During our stay, we've participated in a handful of tours. Each time our guide has been a non-native SF resident. Whether from Michigan, Florida, or NYC, these people have all made their way to San Francisco for different reasons and have made it their home. It gives me hope that Ashlee and I can one day find a place that we, too, can call home -- no offense to Walnut.
After finishing up with the Mission, we swung to the complete opposite side of the Spectrum. We took BART back to Union Square and we found ourselves at
Westfield Plaza, which is perhaps the largest mall I have ever scene, complete with a 4-story
Nordstrom. Whereas the Mission was historic in its originality and character warts and all, the Plaza is new and glitzy...sort of like a South Coast Plaza on steroids. Ashlee wanted to shop around for a bit so I found a quiet corner to finish my book.
While doing so, I realized that I have found myself in an Andy
Warholian position -- trapped between the original and the artificial. On the one hand, I loved the character and the quirkiness of the Mission and many other districts of San Francisco. This is not to say, however, that these places don't have their
detractions. After all, they can be a bit cramped, often dirty, and sometimes brimming with questionable people. As our Mission tour guide told us, everyday is Halloween on the #14 bus that services some of San Francisco's dodgier neighborhoods. The Plaza on the other hand, is all the bright and shiny
artificialities that so attracted Andy Warhol. The bad news is that everything there is all about image, not substance. The good news is that everything is bright and clean and comforting.
I guess that is the beauty of living in a city like San Francisco -- you can get the best of both worlds.